CLIR https://www.clir.org Tue, 05 Dec 2023 16:00:01 +0000 en-US hourly 1 https://www.clir.org/wp-content/uploads/sites/6/2016/09/clir-150x150.png CLIR https://www.clir.org 32 32 CLIR Chronicles the Unseen: Release of 2022 Digitizing Hidden Collections Symposium Proceedings https://www.clir.org/2023/12/dhc-symposium-2022-proceedings/ Tue, 05 Dec 2023 16:00:01 +0000 https://www.clir.org/?p=48266 CLIR Chronicles the Unseen: Release of 2022 Digitizing Hidden Collections Symposium Proceedings The Council on Library and Information Resources (CLIR) is excited to announce the release of the proceedings from the 2022 Digitizing Hidden Collections Symposium, held on October 12-13, 2022. Titled Learning from and Making Use of Digitized Hidden Collections, this collection of papers Read More

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CLIR Chronicles the Unseen: Release of 2022 Digitizing Hidden Collections Symposium Proceedings

The Council on Library and Information Resources (CLIR) is excited to announce the release of the proceedings from the 2022 Digitizing Hidden Collections Symposium, held on October 12-13, 2022.

Titled Learning from and Making Use of Digitized Hidden Collections, this collection of papers celebrates the Digitizing Hidden Special Collections and Archives program, generously funded by the Mellon Foundation since its inception in 2015. With over $28 million distributed to date, the program has played a pivotal role in digitally capturing and sharing rare and unique materials stewarded by cultural memory organizations.

Edited by Nancy Adams, the volume features a keynote address by Dr. Michelle Caswell titled, “‘So that Future Organizers Won’t Have to Reinvent the Wheel’: Activating Digital Archives for Liberatory Uses,” along with selected papers and an Afterword by CLIR program officer Sharon M. Burney. The topics covered in the papers range from privacy protection and workflow implementation to exhibit creation and translation.

The symposium provided a significant moment for Digitizing Hidden Collections grant recipients to reflect on the transformative possibilities of digitization work. As highlighted by Hannah Scates Kettler and Katie McCormick in the introduction to the proceedings, there is a growing recognition among custodians of cultural heritage about the importance of proactive digitization, emphasizing both local and global impacts.

The collection, available in PDF, is complemented by additional content such as videos, slides, and transcripts on the affiliated website.

For more information about the Digitizing Hidden Special Collections and Archives program, visit CLIR’s program history page.

About CLIR

The Council on Library and Information Resources is an independent, nonprofit organization that forges strategies to enhance research, teaching, and learning environments in collaboration with libraries, cultural institutions, and communities of higher learning.

Contact: hiddencollections@clir.org

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Shift Collective Partners with CLIR to Evaluate Recordings at Risk Program https://www.clir.org/2023/11/shift-collective-and-recordings-at-risk/ Tue, 07 Nov 2023 16:47:30 +0000 https://www.clir.org/?p=45812 [November 7, 2023] – The Council on Library and Information Resources (CLIR) is pleased to introduce the dynamic team of researchers from Shift Collective, embarking on a two-year retrospective assessment of the Recordings at Risk program. Generously funded by the Mellon Foundation as part of the program’s most recent renewal, this evaluation project will overlap Read More

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Shift Collective Partners with CLIR to Evaluate Recordings at Risk Program

Color graphic with photos of at risk recordings materials and Shift Collective and Recordings at Risk logos.

[November 7, 2023] – The Council on Library and Information Resources (CLIR) is pleased to introduce the dynamic team of researchers from Shift Collective, embarking on a two-year retrospective assessment of the Recordings at Risk program. Generously funded by the Mellon Foundation as part of the program’s most recent renewal, this evaluation project will overlap with future calls for applications scheduled for 2024 and 2025.

This trio of researchers will collaborate closely with grant recipients, the program’s independent review panel, and CLIR’s staff. Together, they will consider the program’s impact on collecting organizations, shedding light on the persistent challenges faced by custodians of fragile and obsolete audiovisual media. These media must be reformatted to prevent valuable content from slipping into oblivion and to ensure accessibility for future generations.

“CLIR welcomes this opportunity to partner with Shift Collective at this pivotal moment for our organization. Shift’s work, particularly on the Architecting Sustainable Futures project, challenges us to envision new ways of designing programs that will help collecting organizations thrive despite rapid technical, social, and environmental changes,” said Charles Henry, president of CLIR. “This collaboration is not just an evaluation; it is also a moment to celebrate the diverse tapestry of cultural history captured in audio and audiovisual media.”

Shift Collective’s community-focused approach empowers marginalized voices and promotes inclusivity in cultural heritage practice.  By understanding the program’s effects on these communities, this research will inform more equitable approaches to audiovisual preservation. The outcomes of this team’s research will illuminate future avenues for CLIR and others committed to the safekeeping of rare and unique audiovisual materials.

Meet the researchers

Gabriel Solís

Gabriel Solís (he/him) is an LA-based community memory worker with a vast portfolio of archival and public memory projects. He has consulted with the Ford Foundation’s Reclaiming the Border Narrative initiative, the NAACP Legal Defense Fund Oral History Project, the UCLA Archiving the Age of Mass Incarceration project, and Separated: Stories of Injustice and Solidarity–a National Endowment for the Humanities supported project documenting the lived experiences of parents separated from their children at the U.S./Mexico border. Gabriel currently serves on Shift Collective’s Historypin Research Faculty and the Advisory Board for the Community-Centered Archives Practice: Transforming Education, Archives, and Community History (C-CAP TEACH) project. In 2022, Gabriel (with WITNESS) wrote “Centering Agency, Community, and Care in Archives Grantmaking.” Gabriel is the Executive Director of the Texas After Violence Project, a community archive that fosters deeper understanding of the impacts of state violence. In recognition of his contributions, Gabriel was named the University of California Regents Fellow in Information Studies in 2023.

Lynette Johnson

A founding member of Shift Collective, Lynette Johnson is a cultural historian working with cultural heritage institutions to create programs and tools to enhance their connection with their communities, primarily centered around shared local history. Prior to joining Shift in 2017, she held positions as a journalist, art director, and digital media strategist at The Times-Picayune in New Orleans, The Journal News in New York, and The Los Angeles Times, where she oversaw a range of newsroom, corporate, and community engagement projects. Lynette holds a BA in Communications from the University of New Orleans and a Master of Preservation Studies from Tulane University’s School of Architecture. Her commitment to promoting diversity and inclusion in the field of preservation led to her recognition as a National Trust Diversity Scholar by the National Trust for Historic Places in 2019.

Zakiya Collier

Zakiya Collier (she/they) is a Brooklyn-based, Black, queer archivist and memory worker. Zakiya’s work and research revolve around cooperative thought and improvisation, especially in the context of sustaining im/material cultural memory, with a particular focus on marginalized communities and cultural heritage institutions. Prior to joining Shift Collective in 2022, Zakiya was already a steadfast advocate for African-diasporan, queer, and community-based organizations. Their recent work includes serving as the first digital archivist at the Schomburg Center for Research in Black Culture; project archivist at Weeksville Heritage Center; archivist for the visual artist, Marilyn Nance; and co-editor of a special double issue of The Black Scholar on Black archival practice. Zakiya holds a BA in Anthropology from the University of South Carolina, an MLIS from Long Island University, and an MA in Media, Culture, and Communication from New York University. Zakiya became a Certified Archivist through the Academy of Certified Archivists (ACA) in September 2020.

For more information on the Recordings at Risk program, visit https://www.clir.org/recordings-at-risk/.

For more information about Shift Collective, visit https://www.shiftcollective.us/.

About Shift Collective

Text logo for Shift Collective

Shift Collective strives to create measurable and lasting social change by developing inclusive cultural memory experiences that give voice to unheard narratives and perspectives. They help communities tell and amplify their own stories, so that incomplete dominant narratives do not persist. They are focused on inclusive narrative and historical representation in order to support social, cultural and resource equity.

About CLIR

Council on Library and Information Wordmark logo

The Council on Library and Information Resources is an independent, nonprofit organization that forges strategies to enhance research, teaching, and learning environments in collaboration with libraries, cultural institutions, and communities of higher learning.

Contact: cwilliford@clir.org

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New Board Leadership Takes the Helm at CLIR https://www.clir.org/2023/11/clir-board-elections-2023/ Mon, 06 Nov 2023 21:24:02 +0000 https://www.clir.org/?p=45791 The Council on Library and Information Resources (CLIR) is pleased to announce the results of the recent election to the Executive Committee of the Board of Directors. Guy Berthiaume Chair of the Board: Guy Berthiaume Guy Berthiaume, has been an integral member of CLIR’s board since 2017 and has consistently demonstrated a deep commitment to Read More

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New Board Leadership Takes the Helm at CLIR

The Council on Library and Information Resources (CLIR) is pleased to announce the results of the recent election to the Executive Committee of the Board of Directors.

Color headshot photo of Guy Berthiaume wearing dark suit, tie, and white shirt.
Guy Berthiaume

Chair of the Board: Guy Berthiaume

Guy Berthiaume, has been an integral member of CLIR’s board since 2017 and has consistently demonstrated a deep commitment to our mission and values, will serve as chair.  He has a strong background as a librarian and archivist of Canada emeritus.  Berthiaume is a Canadian historian who specializes in the study of classical antiquity. Before becoming the Librarian and Archivist of Canada in June 2014, he served for five years as the chair and chief executive officer of the Bibliothèque et Archives nationales du Québec.  

“Documentary heritage is the cornerstone of democratic societies.  I’m honoured to have this opportunity to put my experience at the service of the cause of preserving this heritage that is so often endangered,” said Berthiaume.

Color headshot photo of Carol Mandel wearing olive green sweater, ivory shirt, standing near tree in front of ivory building.
Carol Mandel

Vice Chair of the Board: Carol Mandel

As our Vice Chair, Carol Mandel brings a wealth of experience in library leadership and will play a pivotal role in supporting the Chair and the board in achieving our goals and objectives.  Mandel is dean emerita of New York University (NYU) Libraries Distinguished and Presidential Fellow at Council on Library and Information Resources (CLIR). As dean of the NYU Division of Libraries from 1999 to 2018, Mandel oversaw the university’s libraries in New York, Abu Dhabi, and Shanghai, along with Campus Media Services and the NYU Press. Her work has been instrumental in redefining library infrastructures, services, and partnerships in the digital multimedia age. Mandel’s leadership positions in various organizations have been instrumental in shaping new modes of collaboration and services, reinforcing CLIR’s commitment to digital preservation.

Color image of John Wilkin wearing dark suit with orange bow tie, standing in front of library shelves
John Wilkin

Treasurer of the Board: John Wilkin 

John Wilkin, former librarian and dean of libraries at the University of Illinois at Urbana-Champaign, has graciously agreed to serve another term as Treasurer.  He is the CEO at Lyrasis and has played a key role in the creation of HathiTrust, a nonprofit collaborative digital library that preserves and provides access to 17+ million digitized items, serving as its first Executive Director. John’s unwavering advocacy for open source and open access initiatives, coupled with his impressive financial management skills, ensures prudent financial oversight for CLIR.  His experience and keen understanding of CLIR’s financial needs and goals make him the ideal choice to secure the sustainability of our organization.

CLIR President Charles Henry expressed his enthusiasm for the newly elected team, stating, “CLIR is privileged to have an incoming Executive Committee with such diverse and accomplished backgrounds. Each new officer has made significant and lasting contributions to a more coherent and interdependent knowledge environment in service to our mission. I want to acknowledge that Guy Berthiaume’s election as CLIR’s first Board chair from Canada symbolizes a vital link to innovative and creative solutions to the complex challenges that confront us that Canada exemplifies, and to which CLIR increasingly turns.” 

Each member will commence their two-year term immediately, with their terms extending until the fall of 2025.

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Transcript of Four Questions with Sharon M. Burney https://www.clir.org/2023/10/transcript-of-four-questions-with-sharon-m-burney/ Mon, 23 Oct 2023 21:16:52 +0000 https://www.clir.org/?p=45570 Clir News No. 154 Aug-Oct 2023​ Four Questions with Sharon M. Burney Transcript In a significant step toward addressing the chronic lack of diversity in the library profession, the Council on Library and Information Resources (CLIR) has received a $250,000 grant from the Institute of Museum and Library Services (IMLS). In this transcript of the Read More

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Transcript of Four Questions with Sharon M. Burney

Clir News No. 154

Aug-Oct 2023​

Four Questions with Sharon M. Burney Transcript

In a significant step toward addressing the chronic lack of diversity in the library profession, the Council on Library and Information Resources (CLIR) has received a $250,000 grant from the Institute of Museum and Library Services (IMLS). 

In this transcript of the audio Q&A, Sharon M. Burney delves into the inspiration behind her creation of the Safe Spaces program and outlines her vision and objectives for this transformative initiative.

What inspired you to initiate the Safe Spaces program, and how do you envision it addressing the challenges faced by Black librarians in predominantly white library professions?

Safe Spaces was an idea that I had that was based on my over 30 years of working in cultural heritage focused work. I noticed that black professionals in this space were consistently experiencing psychological trauma that manifested into physical illnesses, premature death, professional burnout, and depression. These physiological responses to trauma occurred from the undergraduate level through late career professionals at very alarming rates. This is a far too often unacknowledged and unheard trauma occurring to black professionals whose work is solidified in the oppression they experience on a daily basis. When black professionals work in predominantly white spaces, these experiences are amplified and solitary. Black professionals lack the safe spaces to discuss these traumas without fear of retaliation and gaslighting, and in such, they also suffered in silence. Safe Spaces was created to afford black professionals in the glams, the opportunity to transform their silo trauma experiences into a communal network of healing, support, advocacy, professional retention, and community building.

Could you elaborate on the specific goals and outcomes you hope to achieve with this program, particularly in terms of healing, empowerment, and community-building for Black librarians?

The brilliant scholar, bell hooks, who passed in 2021, wrote extensively on Black revolution, love and healing. In her 1999 classic “All About Love,” she stated, “rarely, if ever are any of us healed in isolation. The healing is an act of communion.” So my hope is to create a path of healing strategically and intentionally for Black librarian professionals to move from siloed experiences of pain and trauma to communal experience of healing and mentoring, networking. They’ll utilize the skill sets they learn in the form of digital storytelling, healing and stress management exercises, effective communication, mentoring, and solution-based trauma-informed equity practices. The participants will also receive many grants that they can used individually or in groups to implement these new skill sets for the local communities. We’re also hopeful for the insights gained from this experience that they will be shared on conference panels, publications, podcasts, and the likes.

In your grant proposal, you mention the importance of documenting insights shared by participants and creating a public report. How do you anticipate that these insights will contribute to promoting organizational change in the field of librarianship?

One of the issues that occurred when writing the Safe Spaces Grant proposal was finding recent research on Black professionals. There’s been a noticeable void in an act of simply collecting data on them. To quote the late bell hooks again in Yearning: Race, Gender, and Cultural Politics, she said that “true resistance begins with people confronting pain and wanting to do something to change it.” So we’re gonna do just that. We’re gonna move beyond journaling to digital storytelling for this experience. See, there’s this power in Black people telling their stories in their own words. I believe this transformative experience of communal healing and networking will inspire participants to share these often difficult, painful, and siloed experiences more freely and move them to engage in healing and resistance through truth telling. Our hopes are to also gather information on Black librarians to create an almanac of Black library professionals. So documentation of their existence is no longer non-existent, will also create a geo-mapping of some of these experiences so the entire profession can see how unfortunately, commonplace and widespread these racial inequity issues truly are, and encourage them to move beyond performative equity to intentional equity and inclusion.

Can you share more details about the location and significance of the workshop planned for the summer of 2024, where Black librarians will engage in healing practices like "Sankofa"? How will this setting contribute to the program's objectives?

Sankofa is a principle derived from the Akan people of Ghana. The word Sankofa literally means to retrieve in the Akan Twi language, but the meaning of Sankofa is a bit more expansive from an Akan proverb, which means it is not taboo to go back and fetch, which you forgot. The location chosen for the safe spaces workshop is Charleston, South Carolina, and that’s due to its connection to the sacred land of the Gullah Geechee corridor. See, it’s estimated that over half of black people in the US today have ancestors that were disembarked through Sullivan Island during the transatlantic slave trade. This is a unique place where the descendants of West Africans who were enslaved in the Sea Islands have retained their culture for over 150 years. This is also a culture of community that is currently under threat of non-existence due to climate change and violent gentrification. So we’ve chosen this culturally rich environment, laden with historical narratives of trauma, revolution, pain, and healing. We’ve chosen this location for the similarities of experience and the connection to Sankofa and the necessity to reflect on the past, to construct a triumphant trauma informed future.

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Where Are They Now? Tracking The Accomplishments of CLIR Postdoctoral Fellows – Lorena Gauthereau https://www.clir.org/2023/10/where-are-they-now-tracking-the-accomplishments-of-clir-postdoctoral-fellows-lorena-gauthereau/ Mon, 23 Oct 2023 15:17:19 +0000 https://www.clir.org/?p=45198 The post Where Are They Now? Tracking The Accomplishments of CLIR Postdoctoral Fellows – Lorena Gauthereau appeared first on CLIR.

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Where Are They Now? Tracking The Accomplishments of CLIR Postdoctoral Fellows – Lorena Gauthereau

Where Are They Now? Tracking The Accomplishments of CLIR Postdoctoral Fellows

Since its establishment in 2004, the CLIR Postdoctoral Fellowship Program has stood as a remarkable opportunity for recent Ph.D. graduates to gain invaluable experience within academic libraries, archives, and museums. This esteemed fellowship initiative, known for its competitive nature, has offered vital support to over 200 postdoctoral fellows, many of whom have made significant contributions to the field of library and information science.

In the series, we closely examine the current roles held by CLIR postdoctoral fellows and celebrate their accomplishments as they complete their fellowships. These individuals have achieved remarkable success and wield considerable influence in their respective fields, ranging from taking on leadership roles in academic libraries to securing tenured faculty positions at universities. We delve into the profound impact of CLIR’s postdoctoral program on the careers of its alumni and highlight the exciting projects and initiatives they have spearheaded.

In this edition, our focus shines on Lorena Gauthereau, who currently serves as the Digital Programs Manager at the University of Houston’s US Latino Digital Humanities Center and the “Recovering the U.S. Hispanic Literary Heritage” project. She dedicates countless hours to enhancing the discoverability of digitized U.S. Latino archival materials spanning from colonial times to 1980, playing a crucial role in preventing their potential loss.

As the Digital Programs Manager for the University of Houston’s U.S. Latino Digital Humanities (USLDH) program and the “Recovering the U.S. Hispanic Literary Heritage” project, her mission revolves around the preservation and retrieval of U.S. Latino literature and culture.

Gauthereau is also one of only 15 individuals from across the nation to be honored with the Rare Book School’s Andrew W. Mellon Fellowship for Diversity, Inclusion, and Cultural Heritage. As a fellow for the period of 2021-2023, Gauthereau has been acquiring additional skills for documenting and interpreting visual and textual materials within special collections and archives. She is actively engaged in raising awareness within professional communities regarding the importance of inclusive, multicultural collections, their promotion, development, and stewardship, and forging connections with diverse communities through programming, outreach, and advocacy.

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Breaking Barriers: DigiPres Mini-Job Fair Redefines Digital Preservation Careers https://www.clir.org/2023/10/ndsa-digipres-job-fair/ Mon, 23 Oct 2023 15:16:58 +0000 https://www.clir.org/?p=45055 Clir News No. 154 Aug-Oct 2023​ Breaking Barriers: DigiPres Mini-Job Fair Redefines Digital Preservation Careers Nathan Tallman, the digital preservation librarian at Penn State University, witnessed a recurring need within the digital preservation community during his attendance at various preservation conferences.  He often found himself acting as a matchmaker between job seekers and potential employers. Read More

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Breaking Barriers: DigiPres Mini-Job Fair Redefines Digital Preservation Careers

Breaking Barriers: DigiPres Mini-Job Fair Redefines Digital Preservation Careers

Color photo of top down view of white desk with white keyboard, full coffee mug, cell phone, and note pad. On note pad: NDSA DigiPres logo and handwritten words "Job Fair!"

Nathan Tallman, the digital preservation librarian at Penn State University, witnessed a recurring need within the digital preservation community during his attendance at various preservation conferences.  He often found himself acting as a matchmaker between job seekers and potential employers. At this year’s NDSA’s DigiPres, Tallman is taking proactive steps to address this issue by co-hosting a mini-job fair that will be open to all conference attendees.

The genesis of this mini-job fair (DigiPres, November 15, 2:30pm CT) stems from Tallman’s interactions with job seekers and employers, fueled by a strong conviction that more could be done to facilitate connections within the community. This vision found an outlet in the NDSA’s 2023 DigiPres call for proposals. Tallman submitted a concise yet compelling proposal for the mini-job fair, which was readily accepted by the conference committee. To shape this vision into reality, he promptly partnered with Robin Ruggaber, director of strategic technology partnerships and initiatives at the University of Virginia. 

Ruggaber, with a wealth of experience in mentorship and coaching, recognized the importance of such an initiative.  She explained, “An important component of my job is mentorship and coaching for people.  I’ve reviewed resumes, given feedback, and provided a sounding board for people, so I was really intrigued with the idea and thought, ‘why didn’t we think of this before? It’s such a good idea!’”

Though NDSA, as a non-dues paying organization, may lack the resources to host expansive job fairs, Tallman still felt the time was ripe for this mini-job fair. 

“Other professions have trade shows and job fairs, but we hadn’t really had that in the digital preservation community before,” said Tallman. “We’re maturing as a field, and this is a perfect time for us to start organizing [job fairs] ourselves, even if it’s more of a low key fashion.”

Despite its modest scale, the aspirations for the mini-job fair are grand. Tallman and Ruggaber aim to identify at least five open digital preservation positions and delve into application processes, professional requirements, and expected impacts of successful candidates, both short and long-term. Additionally, they seek to engage digital preservation managers to offer invaluable resume/CV reviews and job search coaching to DigiPres attendees, especially those unfamiliar with navigating the higher education hiring process.

Tallman emphasized, “There’s a social capital advantage for individuals who are familiar with [higher education] that can put up exclusionary barriers in the [hiring] process that aren’t necessary. Part of what we want to do [at the fair] is break those barriers down.” They intend to encourage employers to elucidate job expectations, evaluation criteria, and salary ranges, fostering a more inclusive approach. “We hope that having these important discussions will encourage more talented people to join the field of digital preservation,” Tallman said.

Acknowledging the volatile nature of the job market, the plans for the fair remain flexible. However, Tallman and Ruggaber remain optimistic that this initiative will foster meaningful connections and set a precedent for hiring practices in the digital preservation community. 

Calling all Hiring Managers!

 If you are interested in being a part of this mini-job fair or are aware of open positions that could be highlighted, reach out to Nathan Tallman (ntt7@psu.edu) or Robin Ruggaber (robin.ruggaber@virginia.edu).

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CLIR Receives Grant to Launch CLIR Climate Resiliency Program https://www.clir.org/2023/10/climate-resiliency-program/ Mon, 23 Oct 2023 15:16:40 +0000 https://www.clir.org/?p=45364 Clir News No. 154 Aug-Oct 2023​ CLIR Receives Grant to Launch CLIR Climate Resiliency Program In a groundbreaking development for the cultural preservation sector, the

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CLIR Receives Grant to Launch CLIR Climate Resiliency Program

CLIR Receives Grant to Launch CLIR Climate Resiliency Program

Color photo of pile of yellow and black protest signs reading "Climate Justice NOW."

In a groundbreaking development for the cultural preservation sector, the Council on Library and Information Resources (CLIR) has successfully secured a substantial grant from the Institute of Museum and Library Services (IMLS) to launch the CLIR Climate Resiliency Action Workshop Program.  

This two-year initiative, managed in collaboration with the Digital Library Federation’s Climate Justice Working Group and led by Amanda Boczar, Curator for Digital Collections at the University of South Florida Libraries, will empower libraries, museums, and cultural institutions to proactively address the mounting challenges posed by extreme weather events and climate change. 

The program is built upon a foundation of key objectives.  

Firstly, it is dedicated to developing strategies that will equip libraries and cultural institutions to protect their invaluable collections during extreme weather events, ensuring the preservation of our cultural heritage. It aims to provide participants with insights into the economic and social repercussions of climate crises, including their effects on communities, resources, and the physical spaces within these institutions. 

Beyond preserving collections, the program emphasizes the importance of taking proactive measures to strengthen community resilience, safeguarding the well-being of the communities these institutions serve. 

A noteworthy strength of the program lies in its commitment to amplifying the voices and experiences of communities disproportionately affected by climate events. By learning from these real-life experiences, practical solutions and insights will be garnered for future preparedness. 

The benefits of this program are widespread, extending beyond high-risk areas, as extreme weather events grow more frequent and unpredictable. The flexible and accessible program structure, with online modules and “climate circles” for discussions and action planning, accommodates participants with diverse schedules and life circumstances. Completion of all six modules can lead to a climate resiliency action in libraries certificate. 

Diversity and inclusion are at the core of this program, actively centering the voices of BIPOC communities and those most affected by the climate crisis. The DLF Climate Justice Working Group plays a pivotal role in the initiative, aiding in topic selection, speaker identification, and networking opportunities. 

Furthermore, the program’s content and materials will be made freely available and adaptable for use by other institutions and communities. This significant federal investment is a crucial step toward preserving our cultural heritage in the face of climate-related challenges. It offers a roadmap for effective climate resiliency strategies, recognizing the urgency of safeguarding our collective history and community memory as the climate crisis continues to unfold.

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Hitting Home https://www.clir.org/2023/10/hitting-home/ Mon, 23 Oct 2023 15:16:18 +0000 https://www.clir.org/?p=45036 CLIR News No. 154 Aug-Oct 2023 Hitting Home: The Unseen Impact of Vermont’s July Flood By Charles HenryPresident, CLIR The Deep Plexus of Humanity The

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Hitting Home

Hitting Home: The Unseen Impact of Vermont’s July Flood

By Charles Henry
President, CLIR

Color photo of across the street view of three homes with flood soaked content and debris in large pile on yard.

The Deep Plexus of Humanity

The unexpected response of some friends during the July flooding in northern Vermont left a lasting impression: “We wanted to help get food to your animals, but didn’t have a raft.” 

At that time, my wife and I were in New Hampshire, and as I read about the floods in a digital newspaper, the images of our capital city, Montpelier, under several feet of river water and subsequent drone pictures appearing of our village similarly submerged were hard to believe. Overnight, so much water had risen that local businesses and homes were identifiable only by their roof and upper building sections.

We were fortunate: the waters receded in a few days, leaving our menagerie of house pets hungry but unharmed. The village had begun to rebuild. Images of muddy streets and moldy walls replaced the lapping, dirty river inundation, with piles of discarded house building materials, appliances, car parts, and ruined personal items like toys, pillows, books, and albums littering walkways and front yards. A nearby nearly destroyed house had a large handmade banner, “We Need FEMA!” and a number to call nailed to its clapboards. The rivers had risen as high as eight feet overnight; the degree of devastation was not predicted. It was something most of us woke up to.

The flood, its magnitude considered a ‘hundred year’ storm, followed the previous hundred-year storm, Irene, by 11 years. This is the new climate change calculus, the ‘new abnormal’, where climate disruption skews previous estimates and predictions of weather events to a thoroughly unsettling, and increasingly traumatic degree.

Color photo of flooded street with red farm store on right-hand side

The Unseen Impact 

Many thoughts have come to me since July. The close proximity of losing everything in a moment does bring an emotional immediacy connecting more viscerally to catastrophes around the globe. 

Climate change, when it hits home, can no longer be an abstraction. Around the same time of the Vermont deluge, Libya was pummeled by the storm Daniel; Greece had historic wildfires; and Lahaina, a town on Maui, Hawai’i, was incinerated. I can ‘feel’ these calamities in a personal way.

But further reflection shows that the initial images of these disasters, while powerful and impactful, capture a comparably brief and strangely superficial aspect of our human-generated calamities. 

A longer timeline of suffering and disarrangement occurs that we rarely consider or document. The widening plexus of these crises is, for the most part, invisible, making it difficult to conceive and less susceptible to our traditional methods of news gathering. An unnerving viewing of, but quickly subsiding attention to, these disasters can induce a complacency that lulls us into believing we have sufficient knowledge of these shocks and tribulations and can ‘move on’ to other arresting, short-term, and deceptively ephemeral circumstances that bedevil us. In so thinking, we let slip a more elusive tragedy.

Color photo of flooded small town square. Side view of home with double decker porch filled with stranded flood victims waiting for water to recede.

The Deep Plexus of Humanity: An Existential Atlas of a Flood

Consider more rigorously and accurately the depth and import of a local flood. As the pictures in this essay show, the world of my village and its nearby towns were, for about two days, unrecognizable except by architectural fragments and a mental residential map. After about 48 hours, the waters receded and the reporters also left. Cobbled from various sources, the following schematic list entails a kind of existential atlas of elements that afflict us when the smart phones are pocketed and the flood a fading trace of parched brown silt about 5 feet up along a building’s outer walls.

In all of the variegated elements described here, less advantaged people, those who have lower income, have limited access to health care and other public services, and whose dwelling typically lies within a flood plain, suffer the most. Injustice washes across the land with and beyond the rising river breach, and can be found between every word in this essay.

Aerial view color photo of flooded Vermont village
Mud and Mold 

These represent the more immediate physical consequences that our eyes and cameras can detect. While the floodwaters are destructive, mud and mold can contribute to more substantive and lasting damage. Mud clogs pipes and sewers, holds moisture, and rots wood and other permeable materials. Mold similarly spreads rapidly in these damp conditions, quickly ruining wooden structures, drywall, and ceilings. The flood that affected my community happened in July, during the peak of summer, and mold quickly became a pervasive and damaging presence. 

Rodents, Snakes, Insects 

This is another more easily visualized consequence of a flooding disaster. The surging waters pick up river and land snakes in their wake, carrying them into our habitat. Rats and mice are similarly relocated and take up residence in damaged homes and businesses. Insects can proliferate as well: the increase in mosquitoes in Vermont was palpable, as it often is in other parts of the world when the disruptive force strikes in the warmer months. Such pestilence confounds recovery efforts, and the presence of dislocated vermin can persist well past the phases of restoration.

The Unseen Impact Continued

Proceeding through the layers in this descriptive atlas, the following categories have meager physical manifestation and are difficult to apprehend through our senses or our visualizing technologies. They nonetheless profoundly affect our human condition and thereby our humanity.

Relief Funding

This system of remediation primarily addresses the built environment and means of restoring it. There are social aspects to the assistance, covering some medical coverage and childcare, but it is primarily meant to rebuild and return function to the material infrastructure; the social services are usually short term. 

Microbes

Mold brings spores and other microbial life forms into homes. These spores can be deadly, especially to people who have prior respiratory problems and immune issues. The spores are difficult to eradicate and can thrive on just about any surface. Breathing difficulties, which can lead to compromised circulatory problems and affect the heart, are common in the aftermath of severe flooding.

The Unseen Impact on Lives and Livelihoods

Our biological system should be considered another element, or ‘map’ in the atlas of a damaging flood. It can be compromised in many different ways.

Human Biology 

A friend of mine had to swim frantically to save his life when the river across the street from his home surged and poured into his living room. Aside from the immediate physical threat to life, the stress of a flood can be deadly as well. The months following a deluge can cause stress disorder, sleeplessness, and ongoing anxiety related to uncertainty, loss of property and home, and loss of livelihood. Someone with weakened lungs and breathing function prior to a flood can, as noted above, more readily incur further loss of functionality that can lead to less mobility, concentration, and ability to work. Job loss is a consequence of flooding, especially among those who barely make ends meet and labor under conditions that lead to layoffs when even a few days of work are missed.

Insurance Challenges 

Health insurance and home insurance pose significant challenges. Health insurance may not cover exacerbated health issues resulting from the flood, and certain medications may become unavailable.

Not all homesteads affected by the July floodwaters were covered for water damage in their insurance policies. Some policyholders were unaware that their contract excluded coverage for flooding, while others were surprised to discover that their property was designated as residing in a floodplain and thereby subject to lower, or no, compensation. 

In the aftermath of the flood, insurance companies typically review and reassess policyholder contracts. Many ongoing cases reveal that the risk associated with insuring a specific property is considered high, leading to a significant increase in insurance premiums – often doubling or tripling for future coverage. Consequently, this surge in premiums can transform a once-affordable home, previously covered under the original rates, into a financial burden for the owner. As a result, they are forced to sell their home and seek a new residence that is affordable to insure.

Social Connections

In the more severe circumstances, a family is displaced after losing their home and, finding it difficult to afford another place to live, becomes homeless and relies on the state for assistance. In Vermont, this often means relocation to motels that the state has purchased. However lengthy the disruption, the sudden loss of place and the social connections of friends and local services in the village or town can lead to a highly stressful disorientation as the familiar, reliable, and predictable support networks are left behind.

Erosion of Personal identity 

At the level of greatest hardship, a sense of self and purpose can be destroyed, a kind of destruction that mirrors the physical ruin of a flood but is far more lasting and insidious. A family upended, loss of work, uncertainty of income and healthcare: these instances were relatively few in my region, but the population is small. Consider the fate of those who have been displaced as representative of what is passing and to come around the world. The Vermont storm was certainly more violent and destructive because of climate change. Globally, climate-powered superstorms, massive inundations, loss of seacoast and shorelines, and rivers that increase tenfold in volume overnight will contribute to the diaspora of hundreds of millions of people in the coming decades. Our New England calamity was a fractal of a vast geometry of collapse that will redefine us as a species.

Coda

So much of our humanity is invisible, difficult to capture through our various media, often constructed on abstraction (monetary valuation, insurance calculations, benefits, actuarial tables, trust). Manifestations of our needs and desires can be elliptical or deeply internalized, or play out over long time periods not susceptible to brief candles of technical illumination, sound bytes, or fleeting ‘likes’

We need to perceive and understand these more complex contexts and existential circumstances if we are to grasp the true impact on our altered world and our place in it. The popular snapshots that pervade our screens and printed sources—of fire and water, rubbled earth and tempest-knuckled wind– are fragments of what can be called the bigger picture, but it is not so much a picture as a living weave of forces and affordances, some good, some dire. Fragments mislead in that they lure us to complacency and satisfaction of knowing about, but not knowing ‘through’ the catastrophes that beset us. 

The waters of July have reabsorbed into the fields and streams and forests of my surround. Charts have begun to appear, the graphs of water tables, wind and rain; the damage done; the costs of reconstruction; and the preparations for a likely troubled future. And fragments of a contrived epilogue : pictures of a home restored, a porch with painted chairs, a sign ‘Open Again’ on storefronts only recently submerged.

How we choose to see will determine our fate. Voices that must be heard are stilled; the honest measure of our losses uncalculated; and the stories of those who suffer most, and of those who disappear, so integral to our shared humanity, too often seep without effort into the earth like a midsummer rain.

Charles Henry is the president of the Council on Library and Information Resources (CLIR).

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Four Questions with Sharon M. Burney https://www.clir.org/2023/10/four-questions-with-sharon-m-burney/ Mon, 23 Oct 2023 15:16:01 +0000 https://www.clir.org/?p=45220 Sharon Burney, host of the Material Memory podcast, answers four questions about a new $250,000 IMLS grant to address the chronic lack of diversity in the library profession.

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Four Questions with Sharon M. Burney

Four Questions with Sharon M. Burney

In a significant step toward addressing the chronic lack of diversity in the library profession, the Council on Library and Information Resources (CLIR) has received a $250,000 grant from the Institute of Museum and Library Services (IMLS). 

Close up color photo of hands of Gullah craftsperson weaving basket

This grant is intended to fund a groundbreaking program aimed at supporting and empowering Black librarians through dialogue, mentorship, and cultural immersion. The program, known as “Safe Spaces for Cultural Heritage,” was conceived of by CLIR program officer Sharon M. Burney, and will provide a platform for Black librarians to share their experiences, heal from workplace trauma, and develop strategies for promoting equity within their communities. 

The library profession has long been criticized for its lack of diversity. In 2021, only 7.1% of librarians in the United States were Black, while a staggering 87% were white. This disparity has had profound consequences, resulting in the perpetuation of trauma that negatively impacts the experiences of Black professionals within the field. From tokenism in hiring practices to racial microaggressions and isolation, Black librarians have faced a range of challenges. 

These challenges have been further exacerbated by political attacks on critical race theory and African American studies. Black librarians have often been pressured to remove works by BIPOC (Black, Indigenous, and People of Color) authors, adding to their sense of isolation and frustration. 

Recognizing the urgent need for change, CLIR is introducing the “Safe Spaces for Cultural Heritage” program to create a supportive network for Black librarians. This program will provide a safe environment for Black librarians to come together, share their experiences, and heal without the fear of retaliation. 

The “Safe Spaces for Cultural Heritage” program has a multifaceted approach. It will kick off with a two-and-a-half-day convening in Charleston, South Carolina, in the summer of 2024. This event will be a safe haven for Black librarians to find a sense of community, heal from workplace hostility, and collaborate on creating more equitable communities. 

Expert facilitators with extensive experience in Black studies, librarianship, and healing from racial trauma will guide participants through meaningful conversations, provide relevant skills training, and foster trust among participants. Participants will also receive digital storytelling training and propose microgrant projects designed to advance equity within their local communities. 

Following the convening, the group will engage in online meetups and conferences to support one another’s projects and professional growth. Additionally, the team plans to share insights through a publication, podcast, and presentations to inspire greater equity in the professional library field. 

The program is designed to move Black librarians from isolated experiences of workplace trauma, fatigue, and attrition to a path of healing, empowerment, networking, and retention. A three-day workshop in August 2024, with 20 participants, five facilitators, and a digital journalist, will form the core of this initiative. The workshop will be held in Charleston, a city with deep historical significance in African American history. 

Charleston was chosen as the workshop location due to its historical significance as a major seaport city in the trans-Atlantic slave trade. Participants will have the opportunity to heal by connecting with the city’s rich history and their ancestors’ experiences. The final day of the workshop will focus on articulating solutions for building more equitable communities at home. 

By addressing the unacknowledged traumas faced by Black library workers, this program takes a significant step toward creating a more inclusive and healthier library workforce. The long-term goal is to empower this workforce to better serve the diverse communities they represent. 

In this audio Q&A, Sharon M. Burney delves into the inspiration behind her creation of the Safe Spaces program and outlines her vision and objectives for this transformative initiative. Read full Q&A transcript

What inspired you to initiate the Safe Spaces program, and how do you envision it addressing the challenges faced by Black librarians in predominantly white library professions?
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Could you elaborate on the specific goals and outcomes you hope to achieve with this program, particularly in terms of healing, empowerment, and community-building for Black librarians?
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In your grant proposal, you mention the importance of documenting insights shared by participants and creating a public report. How do you anticipate that these insights will contribute to promoting organizational change in the field of librarianship?
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Can you share more details about the location and significance of the workshop planned for the summer of 2024, where Black librarians will engage in healing practices like "Sankofa"? How will this setting contribute to the program's objectives?
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Sharon M. Burney is the host of the award-winning third season of Material Memory,  “The HBCU Library Alliance Tour.” Burney takes listeners on a tour of the treasures housed in their libraries’ collections and gives us a glimpse into the vital role these institutions play in their communities. Material Memory can be found online and on your favorite podcast streaming platform.

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Where Are They Now? Tracking the Accomplishments of CLIR Postdoctoral Fellows https://www.clir.org/2023/10/where-are-they-now-gauthereau/ Mon, 23 Oct 2023 15:15:45 +0000 https://www.clir.org/?p=45171 Clir News No. 154 Aug-Oct 2023​ Where Are They Now? Tracking The Accomplishments of CLIR Postdoctoral Fellows Lorena Gauthereau, 2017 Fellow https://youtu.be/XQkYQYLaGSc Since its establishment

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Where Are They Now? Tracking the Accomplishments of CLIR Postdoctoral Fellows

Where Are They Now? Tracking The Accomplishments of CLIR Postdoctoral Fellows

Lorena Gauthereau, 2017 Fellow

Since its establishment in 2004, the CLIR Postdoctoral Fellowship Program has stood as a remarkable opportunity for recent Ph.D. graduates to gain invaluable experience within academic libraries, archives, and museums. This esteemed fellowship initiative, known for its competitive nature, has offered vital support to over 200 postdoctoral fellows, many of whom have made significant contributions to the field of library and information science. 

In the series, we closely examine the current roles held by CLIR postdoctoral fellows and celebrate their accomplishments as they complete their fellowships. These individuals have achieved remarkable success and wield considerable influence in their respective fields, ranging from taking on leadership roles in academic libraries to securing tenured faculty positions at universities. We delve into the profound impact of CLIR’s postdoctoral program on the careers of its alumni and highlight the exciting projects and initiatives they have spearheaded. 

In this edition, our focus shines on Lorena Gauthereau, who currently serves as the Digital Programs Manager at the University of Houston’s US Latino Digital Humanities Center and the “Recovering the U.S. Hispanic Literary Heritage” project. She dedicates countless hours to enhancing the discoverability of digitized U.S. Latino archival materials spanning from colonial times to 1980, playing a crucial role in preventing their potential loss. 

As the Digital Programs Manager for the University of Houston’s U.S. Latino Digital Humanities (USLDH) program and the “Recovering the U.S. Hispanic Literary Heritage” project, her mission revolves around the preservation and retrieval of U.S. Latino literature and culture. 

Gauthereau is also one of only 15 individuals from across the nation to be honored with the Rare Book School’s Andrew W. Mellon Fellowship for Diversity, Inclusion, and Cultural Heritage. As a fellow for the period of 2021-2023, Gauthereau has been acquiring additional skills for documenting and interpreting visual and textual materials within special collections and archives. She is actively engaged in raising awareness within professional communities regarding the importance of inclusive, multicultural collections, their promotion, development, and stewardship, and forging connections with diverse communities through programming, outreach, and advocacy.

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Copyright Clash: OCEAN Experts Deliberate Warhol v. Goldsmith Legal Showdown https://www.clir.org/2023/10/copyright-clash/ Mon, 23 Oct 2023 15:15:25 +0000 https://www.clir.org/?p=45080 Clir News No. 154 Aug-Oct 2023​ Copyright Clash: OCEAN Experts Deliberate Warhol v. Goldsmith Legal Showdown Purple Fame, November 1984, Tristan Vox A recent Supreme

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Copyright Clash: OCEAN Experts Deliberate Warhol v. Goldsmith Legal Showdown

Aug-Oct 2023​

Copyright Clash: OCEAN Experts Deliberate Warhol v. Goldsmith Legal Showdown

Color image of Vanity Fair article featuring close-up orange and purple silkscreened headshot (Goldsmith, photographer) of the musician Prince from Andy Warhol's Prince series.
Purple Fame, November 1984, Tristan Vox

A recent Supreme Court ruling holds the potential to either champion the rights of artists, writers, and musicians, or potentially stifle creativity, subjecting arts and information organizations to copyright lawsuits. In September, the Open Copyright Education Advisory Network (OCEAN) convened a discussion centering on the case of Andy Warhol Foundation for the Visual Arts, Inc. v. Goldsmith, and the potential implications it may bear for libraries, archives, museums, and galleries. 

Leading the discussion was Anne Young, director of legal affairs and intellectual property at the Indianapolis Museum of Art at Newfields. The panel featured Kyle K. Courtney, copyright advisor at Harvard Library and Fellow at NYU Law’s Engelberg Center; Brandon Butler, director of information policy at University of Virginia Library, and Sriba Kwadjovie Quintana, intellectual property manager, San Francisco Museum of Modern Art. 

 

Kyle Courtney kicked off the conversation by providing a concise overview of the Warhol v. Goldsmith case dating back to 1981. This pivotal event revolved around Vanity Fair magazine’s payment to photographer Lynn Goldsmith for her photo of the musician Prince, with Andy Warhol simultaneously commissioned to create an article illustration based on the same photo. Subsequently, Warhol used the photo to create a series of silkscreen illustrations titled the “Prince Series,” a move unbeknownst to Goldsmith. Legal contention arose when Vanity Fair featured one of Warhol’s Prince series illustrations as their cover art after Prince’s passing in 2016, prompting a copyright violation lawsuit by Goldsmith. Ultimately, the Supreme Court ruled in favor of Goldsmith (7-2 majority), asserting that Warhol’s illustrations did not constitute transformative fair use. 

Fair use, a legal doctrine permitting the use of copyrighted works under specific circumstances, was scrutinized through Courtney’s distillation of its four evaluation factors:

  • The purpose and character of the use.
  • The nature of the copyrighted work.
  • The amount and substantiality of the portion used in relation to the copyrighted work as a whole.
  • The effect of the use upon the potential market for or value of the copyrighted work.

The Court’s focus primarily rested on the first factor – the purpose and character of the use. The justices contended that Warhol’s portrait of Prince lacked sufficient distinctiveness and was used for similar purposes (as the cover of Vanity Fair), rendering it unprotected under fair use. Courtney emphasized that the Court’s attention was confined to the “specific challenged use” (the cover illustration) and did not extend to whether Warhol had the right to create the entire Prince series.

Courtney shared that Justice Elena Kagan and Chief Justice John Roberts Jr., wrote in their dissenting opinion that this decision would impede creativity across various domains, hindering the progress of art, music, literature, and the expression of new ideas and knowledge. 

Brandon Butler, the director of information policy at the University of Virginia Library, addressed what the potential implications of this new Supreme Court ruling, following years of successful fair use cases, on libraries, archives, and museums. Before the Warhol decision, landmark fair use victories like Authors Guild, Inc. v. HathiTrust, Georgia State, and Apple Inc. v. Corellium had paved the way for these institutions in utilizing their collections. Butler asserted that while caution is warranted, organizations should persist in their current endeavors, recognizing that their role encompasses a distinct purpose that differs from mere substitution. 

The discussion then shifted toward its impact on museum work. Sriba Kwadjovie Quintana, intellectual property manager at San Francisco Museum of Modern Art, acknowledged the challenge of determining direct impact at this juncture. Nevertheless, she found significance in the Court’s acknowledgment of the right of the Warhol Prince series to exist, without expressing an opinion on its creation, display, or sale. This left pertinent questions for museums concerning artists’ creative processes, use of copyrighted materials, and implications for promotional marketing materials and store products. Quintana urged museums to exercise vigilance in licensing of reproductions and merchandise, and emphasized the importance of reviewing their collections for works with possible underlying rights, especially those featuring featured individuals, notably celebrities.

Quintana also encouraged museums to deliberate on their artist commissions and acquisitions. While museums should not assume the role of fair use arbitrators, it’s imperative that legal agreements ensure artists are cognizant that their work does not infringe on the rights of others.

The sessions concluded with a lively question and answer session involving artists, librarians, and museum professionals. Topics ranged from amendment rights to whether this ruling signifies an impediment to creative expression, as well as the significance of effective contract drafting.

Open Copyright Education Advisory Network (OCEAN) Logo on grey background
 

The upcoming OCEAN session, “Preservation, Research, and Learning With Video Games,” is scheduled for Dec. 1. Details regarding registration and other forthcoming sessions can be accessed on the OCEAN website.

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CLIR Releases “For Your Reference” Podcast Trailer Dedicated To Improving Media Literacy https://www.clir.org/2023/10/for-your-reference-podcast-released/ Mon, 23 Oct 2023 15:14:59 +0000 https://www.clir.org/?p=45221 Clir News No. 154 Aug-Oct 2023​ CLIR Releases For Your Reference Podcast Trailer Dedicated To Improving Media Literacy In an effort to tackle the growing challenges of misinformation and disinformation in today’s digital age, the Council on Library and Information Resources (CLIR) has announced the release of the trailer for its highly anticipated new media literacy podcast, “For Your Reference” (FYR). With an impressive team of co-producers and hosts, this initiative aims to empower the public with the critical skills needed to discern fact from fiction in the digital realm. CLIR’s FYR podcast, set

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CLIR Releases “For Your Reference” Podcast Trailer Dedicated To Improving Media Literacy

CLIR Releases For Your Reference Podcast Trailer Dedicated To Improving Media Literacy

In an effort to tackle the growing challenges of misinformation and disinformation in today’s digital age, the Council on Library and Information Resources (CLIR) has announced the release of the trailer for its highly anticipated new media literacy podcast, “For Your Reference” (FYR). With an impressive team of co-producers and hosts, this initiative aims to empower the public with the critical skills needed to discern fact from fiction in the digital realm.

CLIR’s FYR podcast, set to debut on November 14, promises to be a game-changer in the realm of media and information literacy. Co-produced by Stacey Patton and Robin A. Bedenbaugh, Associate Director for the University of Tennessee Press, FYR will offer viewers a fresh perspective on the world of information.

Paris Whalon, Student Success Librarian for Media Literacy at the University of Tennessee, Knoxville, and Joshua Ortiz Baco, Digital Scholarship Librarian at the same institution, will join Bedenbaugh as co-hosts for this groundbreaking podcast.

What’s “For Your Reference” All About?

“At a time when misinformation and disinformation are increasingly plaguing society, there’s a growing call for solutions. Rather than merely exacerbating the issue, increased access to information and technology has made it more challenging,” says Bedenbaugh. 

With a mission to address this critical concern, FYR is dedicated to enhancing media and information literacy. The podcast will focus on timely topics, featuring guest scholars and librarians as guides to help the audience not only understand these topics but also learn how to access credible information sources on these subjects.

The Call for Change

Misinformation and disinformation disproportionately affect marginalized communities, who often find themselves both as targets of public debates and as the least equipped to participate in them. The FYR podcast recognizes the importance of taking proactive steps to combat this growing issue and emphasizes the role of libraries, archives, museums, and galleries (GLAMs) in the process.

CLIR’s FYR podcast operates on the premise that these institutions must actively seek to initiate change. Their aim is to consolidate the reputation of GLAMs as guardians of the truth, offering critical context to local, regional, and national narratives. They also plan to highlight individual institutions that preserve, protect, and provide access to the raw materials of our collective stories.

Bridging the Media Literacy Gap

Media Literacy Now conducted a survey in 2022, revealing that a majority of adults in the United States received no education in media literacy during their high school years. The survey pointed out significant gaps in the ability to analyze information sources and the messages they contain. Only 38% of those surveyed had the opportunity to reflect on messaging through advertising and TV programs in high school.

This deficit in media literacy is what CLIR’s FYR podcast seeks to address. By building trust in librarians and other information professionals, FYR aims to position GLAMs as an essential part of the media ecosystem, helping to navigate the ever-evolving landscape of information.

Why “For Your Reference”?

“For Your Reference” emerges as a vital solution to a pressing problem in society today. The podcast promises to fill the gaps in media literacy education, offering a valuable resource for individuals looking to critically assess and navigate the sea of information they encounter daily.

The first episode is set to release on November 14, and it is expected to make a significant impact on the way people approach information in the digital age. Stay tuned for an exciting journey into the world of media and information literacy with FYR, as it equips individuals to distinguish fact from fiction in an ever-evolving digital landscape.

To watch the trailer click the video below.

Play Video about Three people standing in row leaning on a window with rainbow decal.

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